Muerte de tony barrera polymarchs biography

THANK YOU to everyone who voted, visited and took part in this year’s edition of the People’s Park Plinth!


In 2019, we celebrated 150 years of Finsbury Park being the ‘People’s Park’ – a place where we can all do things together. In 2020 protests across the UK saw public artworks toppled from plinths, while the pandemic left us separated and isolated.

With this in mind, we launched the People’s Park Plinth this summer, as a way to re-explore our public spaces by turning Furtherfield Gallery inside out and expanding its digital arts programme beyond our walls and into the life of Finsbury Park.

We collaborated with incredibly talented artists, curators and local park members to create 3 ‘taster’ digital public artworks that speak about the park’s heritage and local stories. In May, June, and July we showcased a different digital art experience each month. 

In August, the park made its pick! We will be launching a larger commission of Based on a Tree Story this Autumn, and to continue celebrating the heritage, artistry and local voices from Finsbury Park, all the ‘taster’ artworks will be available until January 2022.

It’s time to experience the People’s Park Plinth!

If you are in Finsbury Park you can use the camera on your phone to scan the QR codes on the People’s Park Plinth (presented on the exterior of our Gallery building in the centre of the park). They are all free to access, any time, with any smartphone – but you might want to have some headphones handy too. 

If you are somewhere else you can click the links on the People’s Park Plinth website to find the artworks.

It’s your park so it’s your pick!

Sign up here to get involved in choosing the artwork that most belongs in the heart of Finsbury Park next year.

Digital Artworks

We are just animals, humans, and machines
getting on together in specific lifeworlds

Breath Mark x Lisa Hall & Hannah Kemp-Welch 
Live

Dave Young writes within the context of Localhost: RWX, a symposium and worksession at Edinburgh Sculpture Workshop from 29-31 October 2015. For more information about RWX, visit the Localhost website. RWX is funded by Creative Scotland, with support from New Media Scotland, Furtherfield, and Edinburgh Sculpture Workshop.

As smart devices shape the near future of personal computing, we – as users – are experiencing a shift in the way digital data is represented and accessed. For the last five years, Apple, Google and the other tech giants have desperately attempted to position themselves as market innovators and patent holders in the next generation of consumer tech. Over this period, we have seen more companies dropping desktop PC production in favour of novel gadgets such as smart phones, tablets, watches, fitness bands – and even contact lenses, glasses, and so on. A noticeable side-effect of this shift is that the ‘traditional’ filesystem interface, familiar to us as a visually traversable hierarchical structure of files and folders, is replaced by an app-centric interface. With its primary objective of being more user-friendly, this kind of interface limits as much as possible the tedious and touchscreen-hostile tasks of file management and directory navigation. It’s certainly worth reviewing how data should be represented in the modern Operating System – “tradition” is not enough reason to purposefully stick to an old system of files/folders, created by Xerox for their Alto/Star OS in the 1970s. That said, any radical change in the interface design of the filesystem needs to be critiqued, as it is acts as the mediator between us, our data, and our tools.

It’s worth emphasising that the aforementioned Xerox system is also a metaphor – it does not necessarily offer us a truer insight into the raw data on our devices than an app would. In the case of wanting to

    Muerte de tony barrera polymarchs biography
  • Polymarchs megadance 98

    • Polymarchs

    Mexican mobile DJ collective

    Polymarchs is a mobile DJ collective based in Mexico City, established in 1978 by Apolinar Silva de la Barrera and his sister María. The group is recognized for its contributions to Mexico's electronic dance music scene, transitioning through various musical trends such as disco and electronic dance music over several decades. Polymarchs is known for its large-scale events, innovative sound production, and visually distinctive promotional materials, including flyers designed by Jaime Ruelas, which gained prominence during the 1980s and early 2000s.

    Initially performing in local neighborhoods of Mexico City, Polymarchs gained popularity in the early 1980s, eventually headlining sold-out shows. Despite the decline of disco's popularity in Mexico during the late 1980s, the group successfully adapted its musical style to resonate with younger audiences, helping it maintain relevance.

    As of today, Polymarchs continues to operate in the Mexico City area, with its resident DJs performing at various events and maintaining its presence in the local music scene.

    The Origins (1978-1980s)

    Polymarchs was established in the late 1970s by Apolinar Silva de la Barrera, a student of electromechanics at Mexico City's IPN with an interest in disco music and the emerging sonidero scene in Mexico City. Together with his sister Maria and siblings Elisa and Luis, Silva began hosting small parties and events in various neighborhoods. The name Polymarchs was derived from their family names: "Poly" for Apolinar, "Mar" for Maria, "Ch" for Lichi, and "S" for their surname, Silva. By 1980, Marco Antonio Silva, also known as Tony Barrera, joined the collective as a DJ, MC, and choreographer for their "show ballet." Barrera later became a recording artist, releasing several dance singles through Discos Musart in the 1990s.

    The group became known for its emphasis on high-

  • Polymarch en el ángel
  • Tony barrera muerte

    • Wikipedia:WikiProject Mexico/Popular pages

    Rank Page title Views Daily average Assessment Importance 1 Gulf of Mexico1,840,63859,375 BHigh2 2026 FIFA World Cup471,56715,211 BMid3 Claudia Sheinbaum400,27212,912 BHigh4 Mexico382,80812,348 BTop5 North America278,5288,984 BHigh6 Salma Hayek255,6888,248 BMid7 Dune (1984 film)236,1987,619 BLow8 Texas229,6727,408 BHigh9 Rey Mysterio228,5907,373 BLow10 Apocalypto208,3726,721 BLow11 Selena208,3236,720 GAHigh12 Alexis Bledel204,5736,599 CLow13 Sicario (2015 film)202,4906,531 CLow14 Joaquín "El Chapo" Guzmán189,5686,115 BMid15 Axolotl186,6926,022 CHigh16 Fénix (wrestler)174,7285,636 BLow17 Cassie Ventura171,6195,536 CLow18 Dallas Buyers Club153,3454,946 GALow19 Canelo Álvarez150,3764,850 BMid20 Mexico City148,6544,795 BTop21 Linda Ronstadt147,6294,762 BLow22 Frida Kahlo145,4874,693 BHigh23 Gabriel Iglesias144,8954,674 StartLow24 Hurricane Helene143,0744,615 BLow25 Lupita Nyong'o142,3894,593 BLow26 Gulf of America141,2724,557 RedirectNA27 Sinaloa Cartel140,4394,530 BLow28 Nava Mau139,6584,505 CLow29 Spanish language138,2774,460 CTop30 Leon Trotsky136,6844,409 BLow31 Chicxulub crater135,5914,373 FALow32 Maximilian I of Mexico134,6004,341 CHigh33 Mexican–American War130,7964,219 BTop34 Eiza González126,9854,096 CLow35 Eddie Guerrero126,6494,085 BLow36 Adriana Paz123,8003,993 GALow37 Coyote121,6753,925 GAMid38 Camila Cabello121,4123,916 BLow39 Yolanda Saldívar117,8933,803 CM