R.l.stevenson biography

  • 20 lines about robert louis stevenson
  • Robert Louis Stevenson

    Born on November 13, 1850, in Edinburgh, Scotland, Robert Louis Balfour Stevenson came from a long line of prominent lighthouse engineers. During his boyhood, he spent holidays with his maternal grandfather, a minister and professor of moral philosophy who shared his love of sermons and storytelling with him. Prone to illness, Stevenson spent many of his early winters in bed, entertained only by his imagination and a great love of reading, especially William Shakespeare, Sir Walter Scott, John Bunyan and The Arabian Nights.

    Encouraged to follow the family tradition of lighthouse engineering, Stevenson began studies at the University of Edinburgh in 1867, but quickly discovered he preferred a career in literature. To satisfy his father, he acquired a law degree and was admitted to the bar by the time he was twenty-five.

    Stevenson spent the next four years traveling through Europe, mostly around Paris, publishing essays and articles about his travels. In 1876, he met Fanny Vandegrift Osbourne, a married woman ten years his senior. When she decided to return to San Francisco soon after they met, Stevenson followed, taking the long voyage across the Atlantic and the United States against the advice of his friends and physician. To add to his adventure and inform his writing, he chose to travel in steerage and was near death when he arrived in Monterey, California, in 1879. After being nursed back to health, he continued to San Francisco that winter, though it cost him his health. Osbourne, who had since been divorced, helped him recover. They married the following May.

    After several months in the U.S. with his wife and her young son, Stevenson brought his new family back to Britain. Frequently sick, he continued to write seriously, producing the bulk of his best-loved work. His first successful novel, Treasure Island was published in 1884, followed by A Child’s Garden of Verses in 1885, and The Strange Case of Dr. Jekyll and Mr. H

    Stevenson’s establishes a personal relationship with the reader, and creates a sense of wonder through his brilliant style and his adoption and manipulation of a variety of genres. Writing when the period of the three-volume novel (dominant from about 1840 to 1880) was coming to an end, he seems to have written everything except a traditional Victorian novel: plays, poems, essays, literary criticism, literary theory, biography, travelogue, reportage, romances, boys’ adventure stories, fantasies, fables, and short stories. Like the other writers who were asserting the serious artistic nature of the novel at this time he writes in a careful, almost poetic style – yet he provocatively combines this with an interest in popular genres. His popularity with critics continued to the First World War. He then had the misfortune to be followed by the Modernists who needed to cut themselves off from any tradition; Stevenson was felt to be one of the most constraining of immediately-preceding authors for his sheer ability, and one of the most insidious for his play with popular genres and for his preference for “romance” over the serious novel. Condemned by Virginia and especially Leonard Woolf (not unconnected, perhaps, with the fact that one of Stevenson’s great supporters had been Virginia’s father), ignored by F.R.Leavis, he was gradually excluded from the “canon” of regularly taught and written-about works of literature. The nadir comes in 1973 when Frank Kermode and John Hollander published their Oxford Anthology of English Literature. With over two thousand pages at their disposal in which to exemplify and comment on the notable poetry and prose produced in the British Isles from “1800 to the Present”, not one page is devoted to Stevenson – in the whole closely-printed two thousand pages, Stevenson is not even mentioned once! Critical interest has been increasing slowly since then, in some countries more than others, th

    Robert Louis Stevenson

    For other people named Robert Stevenson, see Robert Stevenson (disambiguation).

    Scottish novelist and poet (1850–1894)

    Robert Louis Stevenson (born Robert Lewis Balfour Stevenson; 13 November 1850 – 3 December 1894) was a Scottish novelist, essayist, poet and travel writer. He is best known for works such as Treasure Island, Strange Case of Dr Jekyll and Mr Hyde, Kidnapped and A Child's Garden of Verses.

    Born and educated in Edinburgh, Stevenson suffered from serious bronchial trouble for much of his life but continued to write prolifically and travel widely in defiance of his poor health. As a young man, he mixed in London literary circles, receiving encouragement from Sidney Colvin, Andrew Lang, Edmund Gosse,Leslie Stephen and W. E. Henley, the last of whom may have provided the model for Long John Silver in Treasure Island. In 1890, he settled in Samoa where, alarmed at increasing European and American influence in the South Sea islands, his writing turned from romance and adventure fiction toward a darker realism. He died of a stroke in his island home in 1894 at age 44.

    A celebrity in his lifetime, Stevenson's critical reputation has fluctuated since his death, though today his works are held in general acclaim. In 2018, he was ranked just behind Charles Dickens as the 26th-most-translated author in the world.

    Family and education

    Childhood and youth

    Stevenson was born at 8 Howard Place, Edinburgh, Scotland, on 13 November 1850 to Thomas Stevenson (1818–1887), a leading lighthouse engineer, and his wife, Margaret Isabella (born Balfour, 1829–1897). He was christened Robert Lewis Balfour Stevenson. At about age 18, he changed the spelling of "Lewis" to "Louis", and he dropped "Balfour" in 1873.

    Lighthouse design was the family's profession; Thomas's father (Robert's grandfather) was the civil engineer Robert Stevenson, and Thom

  • Robert louis stevenson cause of death
  • Robert louis stevenson interesting facts
  • Robert louis stevenson biography pdf
  • Books

    • The Pentland Rising (Edinburgh: Privately printed, 1866).
    • An Appeal to the Clergy (Edinburgh & London: Blackwood, 1875).
    • An Inland Voyage (London: Kegan Paul, 1878; Boston: Roberts Brothers, 1883).
    • Edinburgh: Picturesque Notes, with Etchings (London: Seeley, Jackson & Halliday, 1879; New York: Macmillan, 1889).
    • Travels with a Donkey in the Cévennes (London: Kegan Paul, 1879; Boston: Roberts Brothers, 1879).
    • Virginibus Puerisque and Other Papers (London: Kegan Paul, 1881; New York: Collier, 1881).
    • Familiar Studies of Men and Books (London: Chatto & Windus, 1882; New York: Dodd, Mead, 1887).
    • New Arabian Nights (2 volumes, London: Chatto & Windus, 1882; 1 volume, New York: Holt, 1882).
    • The Silverado Squatters (London: Chatto & Windus, 1883; New York: Munro, 1884).
    • Treasure Island (London: Cassell, 1883; Boston: Roberts Brothers, 1884).
    • A Child's Garden of Verses (London: Longmans, Green, 1885; New York: Scribners, 1885).
    • More New Arabian Nights: The Dynamiter, by Stevenson and Fanny Van de Grift Stevenson (London: Longmans, Green, 1885; New York: Holt, 1885).
    • Macaire (Edinburgh: Privately printed, 1885).
    • Prince Otto: A Romance (London: Chatto & Windus, 1885; Boston: Roberts Brothers, 1886).
    • Strange Case of Dr. Jekyll and Mr. Hyde (London: Longmans, Green, 1886; New York: Scribners, 1886).
    • Kidnapped (London: Cassell, 1886; New York: Scribners, 1886).
    • Some College Memories (Edinburgh: University Union Committee, 1886; New York: Mansfield & Wessels, 1899).
    • The Merry Men and Other Tales and Fables (London: Chatto & Windus, 1887; New York: Scribners, 1887).
    • Underwoods (London: Chatto & Windus, 1887; New York: Scribners, 1887).
    • Memories and Portraits (London: Chatto & Windus, 1887; New York: Scribners, 1887).
    • Memoir of Fleeming Jenkin (London & New York: Longmans, Green, 1887).
    • The Misadventures of John Nicholson: A Christmas Stor