Cetin tekindor biography of rory
Running time: N/A
When Steve's new GPS suddenly asks for help, he follows her instructions from sunny suburbia into the depths of an abandoned warehouse to a mysterious door. What lies beyond transforms Steve's life in a test of true heroism.
Premiere status:
North American Premiere
Director:
Rory O'Donnell
Cinematography:
Ronaldas Buozis
Cast:
Alex Warren, Denise Moreno, Tom Knight, Chris Hill, Francesca Ashby, Nathan Gambrill, Oscar Alexander, Tessa Ryan, Christopher Wilkinson, Nick Gordon, Kashiff Dottin, Alan Andrade, B*ngeye, D*ckhead
Producer:
Nicola Petrides
Running time: N/A
There's a man with binoculars at the window, watching the people across the street. And he's definitely not James Stewart.
Oliver, an air-traffic controller by day, is emotionally cut off, a man who actively shuns human contact. As a Czech living in Slovakia his isolation is even more complete. Though part of him demands this solitude, another yearns for something more. Now, home alone with his high-powered binoculars and his imagination, he watches a seemingly perfect family in the high-rise apartment building across the street. And watches. And watches.
Premiere status:
North American Premiere
Director:
Peter Kristufek
Cinematography:
Martin Strba
Cast:
Ivan Trojan, Jana Hlavacova, Kristina Turjanova, Dagmar Bruckmeyer, Martin Mnahoncak
Editor:
Dionyz Mikle, Radim Hladik Jr.
Executive Producer:
Sona Javorska
Language:
Czech, Slovak with English subtitles
Genre:
Psychological Drama
Running time: N/A
Tweet along a cross country road trip.
Why has Twitter become such a sensation? That is the question filmmaker Tan Siok seeks to discover as she sets off on a cross-country quest to talk to all kinds of Tweeters. Along the way we meet a porn star, a homeless woman, a prostitute and lots of everyday folk just having a little fun.
Premiere status:
North American Premiere
Disenchantment, Re-Enchantment and Folklore genres. Ed. by Nemanja Radulović and Smiljana Djordjević-Belić.
Related papers
Edith Honig
Children's Literature Association Quarterly, 1981
If a critique of everyday life is to become a serious undertaking, virtually everything we experience needs to be subjected to careful and critical scrutiny. Even fairy tales. Like so much else in modern culture, these tales may not be as innocuous as they appear. To the extent that the culture industry has appropriated them and uses their motifs to manipulate consciousness or shape behavior, especially in children, fairy tales may be more effective as instruments of social control than one would think. Perhaps for this reason the study of these tales is too important to be left to folklore aficionados or specialists in children's literature. Two groups have recently noticed the larger social or psychological importance of fairy tales, and have tried to approach them in original ways. The first are the psychotherapists, whose work has lately gained some attention, and the second are the Marxists, whose work remains practically unknown in this country. The psychotherapists have turned to fairy tale material to see what it might reveal about certain psychic states, the meaning of dream symbolism, recurrent Oedipal and incest motifs, or stages in sexual development. In the Freudian tradition, one can find most of these themes as far back as the early work of Karl Abraham (1909), Otto Rank (1912), and Freud himself (1913). 1 Bruno Bettelheim's much publicized The Uses of Enchantment (1974) must also be placed in this tradition. However, there is another, a Jungian, line of interpretation that has contributed even more extensively to fairy tale research. Not surprisingly, this line discovers not primarily Oedipal or sexual themes, but collective archetypes, shadow figures, Great Mothers, anima an
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7/10
Turkish version of House m.d
It's a successful remake of House M.d for Turkish viewers. Although the actor who plays Gregory House was criticised harshly at first for not resembling our doctor, Timucin Esen does a wonderful job acting as the Turkish version of House. He is A more acceptable, less annoying but as much cynical type as the original one. For someone who hasn't watched the original series before, Hekimoglu is worth watching.
8/10
Certainly not a waste of time
Actors are very qualified and professional. Scenario well adapted from House m.d. but still as international as original. Educates you well about medical sciences. Every minute is worth watching, not much meaningless scenes. Lovable qualities in characters, you will not find much to hate in the series. Congratulations for the leading actor, Timucin Esen, for his remarkable performance.
8/10
BEST!
"Hekimoglu" is a brilliant Turkish adaptation of the globally renowned medical drama "House M. D." The series stands out for its captivating storytelling, intriguing medical cases, and complex character dynamics. Timucin Esen delivers a masterful performance as Dr. Ates Hekimoglu, a genius doctor with a sharp mind and a rebellious attitude. His portrayal brings depth and nuance to the character, balancing humor, intellect, and vulnerability. The supporting cast complements his role perfectly, creating a rich ensemble that enhances the overall narrative. With its engaging plot, smart dialogue, and well-executed tension, "Hekimoglu" offers a fresh take on the medical drama genre, making it a must-watch for fans.
10/10
Best!
A perfect adaptation that gives the right to the original series!
10/10
Perfect
This adaptation has everything you're looking for so it's worth for watching
10/10
A great adatation
A production well above the Turkish TV series standards. House MD has no audienc