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  • Andrea Bocelli

    Italian tenor (born 1958)

    "Bocelli" redirects here. For his second album, see Bocelli (album).

    Musical artist

    Andrea BocelliOMRIOMDSM (Italian:[anˈdrɛːaboˈtʃɛlli]; born 22 September 1958) is an Italian tenor. He rose to fame in 1994 after winning the newcomers' section of the 44th Sanremo Music Festival performing "Il mare calmo della sera".

    Since 1994, Bocelli has recorded 15 solo studio albums of both pop and classical music, three greatest hits albums, and nine complete operas, selling over 90 million records worldwide. He has had success as a crossover performer, bringing classical music to the top of international pop charts. His album Romanza is one of the best-selling albums of all time, while Sacred Arias is the biggest selling classical album by any solo artist in history.My Christmas was the best-selling holiday album of 2009 and one of the best-selling holiday albums in the United States. The 2019 album debuted at number one on the UK Albums Chart and US Billboard 200, becoming Bocelli's first number-one album in both countries. His song "Con te partirò", included on his second album Bocelli, is one of the best-selling singles of all time.

    In 1998, Bocelli was named one of People magazine's 50 Most Beautiful People. He duetted with Celine Dion on the song "The Prayer" for the animated film Quest for Camelot, which won the Golden Globe Award for Best Original Song and was nominated for the Academy Award for Best Original Song. In 1999, he was nominated for Best New Artist at the Grammy Awards. He captured a listing in the Guinness Book of World Records with the release of his classical album Sacred Arias, as he simultaneously held the top three positions on the US Classical Albums charts.[5]

    Performer Biographies

    Anitra BlaxhallSoprano
    Recordings:
    Idril/Chorus Soprano 1  (The Fall of Gondolin)
    Chorus Soprano 1  (Beren and Luthien) 

    These are the biographies of our friends and colleagues who perform with us live and take part in our recordings.

    Anitra Blaxhall trained at the Victoria College of Arts in Melbourne, Australia and sang with Opera Australia prior to moving to the UK.  Since living in Britain, she has sung with Glyndebourne Festival and Touring Opera, and for fifteen years with Welsh National Opera.  She has sung roles and understudies with each of these companies, and has also maintained a career in session singing and corporate entertainment.

    Julian BoyceBaritone/Video Director
    Recordings:
    Eöl/Voronwë/Chorus Bass 1  (The Fall of Gondolin)
    Beren/Chorus Bass 1 (Beren and Luthien)
    Hurin/Gwindor/Chorus Bass 1 (The Children of Hurin)
    Mandos/Curufin/Chorus Bass 1 (Feanor)
    Green Lizard/Yellow Rose Tree/Chorus Bass 1 (The Nightingale and the Rose)
    Cirdan/Mandos/Chorus Bass 1 (The War of Wrath)
    Charles Condomine (Blithe Spirit)
    Baritone (The Complete Songs of A.A. Milne (and Lewis Carroll))
    Samwise Gamgee/Chorus Bass 1 (The Lord of the Rings)
    Thorin Oakenshield/Chorus Bass 1 (The Hobbit)

    Whilst studying Drama at the University of Kent  Julian won the Canterbury Cathedral Bursary Award for singing. He is a graduate of The Opera School (Wales) and received a major award from the James Pantyfedwen Foundation to fund his postgraduate studies at the Welsh College of Music and Drama, where he was awarded the Della Windsor Memorial Prize.

     

    Julian joined the Welsh National Opera Chorus in 2005. Roles for WNO include Bogdanowitsch (Merry Widow - televised by the BBC), Montano (Othello - Televised by S4C), Le Dancaire (Carmen), Steuermann (Tristan & Isolde), Customs Officer (Boheme), Antonio (Nozze di Figaro), Yakuside (Madam Butterfly) Enzo (Sweetness and Badness)

    Chronological list of operatic sopranos

    This is a chronological list of sopranos who have performed in operas from classical music of the Western world. The list spans from operatic sopranos active in the first operas of the late 16th century to singers currently performing. Singers who have recorded opera arias or sung them in concert but have never performed in an opera are not included in this list. Singers are sorted by their year of birth. Those singers whose birth year is unknown are sorted by the first year that they are known to have flourished. This list should not include singers who have never performed in a staged opera with the exception of historic non-white singers who were barred from the opera stage in varying parts of the world due to discrimination prior to the mid-20th century. This list is limited to those whose notability is established by reliable sources in other Wikipedia articles.

    This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources.

    Operatic sopranos born in the 15th and 16th centuries

    Before 1600

    1600–1649

    1650–1699

    Operatic sopranos born in the 18th century

    1700–1739

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    Operatic sopranos born in the 19th century

    1800s

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    Seattle Opera · MARINA COSTA-JACKSON as Tatyana

    When Tatyana rejects Onegin, in the final scene, it’s another situation all too familiar to gay men who had to live in the closet: “Yes, I loved you once...but I’m married now, and you mustn’t come near me.” Once again, Tchaikovsky’s musical honesty makes this scene thrilling and horrifyingly real.


    Nina Warren as Salome, Gary Smuth photo.

    Salome

    Richard Strauss, who composed Salome, didn’t identify as queer, despite his facility at writing gorgeous love music for women (see earlier post). But Oscar Wilde, who wrote the words for this kinkiest of operas, all but initiated modern gay culture. For Wilde, Salome was a bit of a Lord Douglas, the beautiful but heartless boy whose messed-up family situation ended up ruining Wilde—the way Salome’s messed-up family situation destroys the man who momentarily takes her fancy and whose severed head she covers with kisses in the demented final moments of this shocking opera.

    Vanessa

    Samuel Barber and Giancarlo Menotti met in college and rapidly became a couple. Each wrote operas with other collaborators (and Seattle Opera has also presented Menotti’s Amahl and the Night Visitors and The Consul). Together Barber (the composer) and Menotti (the librettist) collaborated on Vanessa, an opera which won Barber the 1958 Pulitzer Prize for Music. This beautiful composition concerns three generations of women in the same frozen house, all of whom find different unsatisfactory solutions to the problem of wanting ideal love in a deeply flawed world. The creators were, of course, writing about themselves; in fact, their relationship of thirty years ended as Vanessa first came to the stage.

    Kimberly Barber (Erika), Sheri Greenawald (Vanessa), and Sheila Nadler (the Countess). Gary Smith photo
     

    Seattle Opera · VANESSA “Do Not Utter A Word, Anatol”


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