Qiu shihua biography of mahatma

  • This issue of ArtReview Asia

    • We’re sorry, this site is currently experiencing technical difficulties.
    Please try again in a few moments.
    Reference ID:

  • Qiu Shihua, 162. Quijano, Aníbal,

    • New art, new markets [Second edition.] 9781848222816, 1848222815, 9781848222823, 1848222823

    Table of contents :
    Front Cover
    Title Page
    Half Title
    Copyright
    Contents
    Acknowledgements
    1. Introduction
    2. Unsafe Havens
    3. East Asian Orthodoxy
    4. China
    5. Hindustan
    6. Aryana
    7. Hispania
    8. South East Asian Authoritarianism
    9. Epilogue
    Notes
    Bibliography
    Index

    Citation preview

    New Art New Markets Iain Robertson

    New Art New Markets.indd 3

    25/07/2018 12:19

    New Art New Markets.indd 2

    25/07/2018 12:19

    New Art New Markets

    New Art New Markets.indd 1

    25/07/2018 12:19

    This edition of New Art, New Markets published by Lund Humphries in 2018 Lund Humphries Office 3, Book House 261A City Road London EC1V 1JX UK www.lundhumphries.com A New Art from Emerging Markets by Iain Robertson first published by Lund Humphries in 2011 This edition of New Art, New Markets © Iain Robertson, 2018 All rights reserved ISBN Paperback: 978–1–84822–217–5 isbn eBook (PDF): 978–1–84822–281–6 isbn eBook (ePUB): 978–1–84822–282–3 isbn eBook (mobi): 978–1–84822–280–9 A Cataloguing-in-Publication record for this book is available from the British Library All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electrical, mechanical or otherwise, without first seeking the permission of the copyright owners and publishers. Every effort has been made to seek permission to reproduce the images in this book. Any omissions are entirely unintentional, and details should be addressed to the publishers. Iain Robertson has asserted his right under the Copyright, Designs and Patent Act, 1988, to be identified as the Author of this Work. Image credits British Museum: 2, 18; Cynthia Gutierrez and Proyecto Paralelo. Photograph by Francisco Kochen: 3; Damián Ortega and kurimanzutto, Mexico City: 21; Eden Breitz / Alamy Stock Photo: 5; Hanart, Hong Kong and Juming Museum: 1; Iain Robertson: 7; Indigo Gallery, P

    Special Yunnan Issue

    Table of Contents

    • Bringing You Up To Date
    • Yunnan Nationalities Cultures Project
    • Yunnan Specialists Come to the United States
    • Specialists Travel to China from the United States and South and Southeast Asia
    • In Their Own Words
    • Center Holds a Review of the Yunnan Nationalities Cultures Project
    • Minority Arts in Yunnan
    • Intellectual Climate in China Since the Tiananmen Events
    • Yunnan Nationalities Cultures Project: Cooperating Institutions and Individuals
    • O’Neill Teachers Exchange in Arts Education
    • The Center’s Core Programs Continue Unabated
    • The Center Works With the Sichuan Conservatory
    • Planned Exchange Trips Unfortunately Canceled
    • Pacific Composers Project (PCP)
    • Chou Wen-chung’s Many and Varied Activities
    • The Center Receives Funding for a Variety of New Projects
    • Advisory Council Changes
    • Purpose and Organization
    • Acknowledgments
    • Staff Changes

    Bringing You Up To Date

    Our last newsletter, published in the spring of 1992, reported on the Pacific Music Festival, held in Sapporo, Japan, in the summer of 1990. Because we have not issued a comprehensive report on our activities since then, we have much news to share.

    In late 1988 and early 1989 the Center had embarked on a series of innovative projects we identified as our Core Program (see “Core Programs Continue Unabated,” p. 28, for more information). Designed to address some of the gaps in U.S.-China cultural exchange, we initiated conferences; workshops; seminars; and radio, video, and translation projects. One example of our Core Programs was the introduction into China of a “musical season”—something China had never had before. A collaborative effort between the Center and various music institutions in China was to result in a range of musical events that would take place in each season.

    Another project that fell under our Core Programs was an artists’ workshop held in June/July 1991 in San Diego. This program, held in co

    Index

    "Index". Decolonizing Ethics: The Critical Theory of Enrique Dussel, edited by Amy Allen and Eduardo Mendieta, University Park, USA: Penn State University Press, 2021, pp. 207-216. https://doi.org/10.1515/9780271090320-013

    (2021). Index. In A. Allen & E. Mendieta (Ed.), Decolonizing Ethics: The Critical Theory of Enrique Dussel (pp. 207-216). University Park, USA: Penn State University Press. https://doi.org/10.1515/9780271090320-013

    2021. Index. In: Allen, A. and Mendieta, E. ed. Decolonizing Ethics: The Critical Theory of Enrique Dussel. University Park, USA: Penn State University Press, pp. 207-216. https://doi.org/10.1515/9780271090320-013

    "Index" In Decolonizing Ethics: The Critical Theory of Enrique Dussel edited by Amy Allen and Eduardo Mendieta, 207-216. University Park, USA: Penn State University Press, 2021. https://doi.org/10.1515/9780271090320-013

    Index. In: Allen A, Mendieta E (ed.) Decolonizing Ethics: The Critical Theory of Enrique Dussel. University Park, USA: Penn State University Press; 2021. p.207-216. https://doi.org/10.1515/9780271090320-013

    Copied to clipboard